![]() I never thought my day of justice / Would come from a judge under a seat / But I knew right then I’d never get hit again / When he said to me… Wait in the truck.Standing up in front of a crowd at a bar on karaoke night might not be everyone’s idea of fun, but this cultural phenomenon has been around for a long time and continues to draw in new fans. Wilson again takes up her part, calling the stranger an angel. I let the hammer drop before he got / To that twelve he was reaching for, HARDY sings, I didn’t try to hide my pistol / I didn’t even try to run / I just sat on the porch, smoking one of his cigarettes / And waited for the cops to come. From there, vigilante justice takes over. The narrator finds the abuser and kicks in his door after no answer. I don’t know if he’s an angel, she sings, foreshadowing the events to come, ‘Cause angels don’t do what he did / He was hellbent to find the man behind / All the whiskey scars I hid / I never thought my day of justice / Would come from a judge under a seat / But I knew right then I’d never get hit again / When he said to me… Wait in the truck. “We wanted to give him a redeeming quality.” “I don’t think we wanted it to be like, ‘This guy’s just impulsive and kind of an idiot,’” one of the song’s writers, Schmidt, detailed. Her part gives the song humanity, acting as a tool of sorts to avoid painting the narrator as some stranger itching for revenge. Wilson’s voice comes in, taking up the role of the woman. I didn’t load her down with questions, HARDY continues, That girl had been through enough / I just threw it in drive, looked in those eyes / And I asked her where he was. It was written all over her torn shirt and the bloodstains she was wearing. She didn’t tell him much about what happened because she didn’t have to. The woman he picked up was visibly battered, bruised and broke from head to toe, he sings. I got turned around in some little town, HARDY’s voice cuts through the song’s thick air, I’d never been to before / Working my way through a middle-of-June / Midnight thunderstorm / There was something in the headlights / It stopped me on a dime / Well, she was scared to death, so I said / “Climb in”, and in she climbed / Oh, yeah… The story of “Wait in the Truck” emerges from the hammering of steel strings, dust clouding from each decisive pluck, as a distant rattling sends shivers up the spine. “At the end of the day I just really hope that this gives somebody a platform to speak out.” The Lyrics “It speaks on something very important, domestic violence,” the song’s lead added in conversation with the Nashville-based newspaper. The darkly-tinged tune is one HARDY says he’s most proud of for that very reason. For the victims, I hope they know they’re not alone.” For the abusers, I hope this song haunts them. ![]() “Domestic abuse is a fragile subject,” she added, “but I hope this song brings light to a situation that is more common than we’d like to admit. ![]() “This one is going to start a conversation that a lot of people don’t want to have, but it is our job as artists to sing about things that people are scared to talk about. ![]() “The topic isn’t talked about a lot these are things that happen behind closed doors,” the song’s co-vocalist and female point-of-view, Lainey Wilson, told the Tennessean. The song story is a fictional one, however, it sheds light on a tough, but very real subject. Written by HARDY and Phelps alongside Jordan Schmidt and Renee Blair, “wait in the truck” deals with domestic violence and the vigilante justice that follows. That marked the beginning of the modern-day murder ballad that has taken country music by storm. ![]()
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